Thursday, 25 July 2013

Hot Girl

Hot Girl Biography

Source(Google.com.pk)


One day, 40-something Stephanie Dolgoff realized that she had become a “Formerly,” her term for a woman who is not old, but not quite young, either. In her book “My Formerly Hot Life,” Dolgoff shares funny anecdotes about transitioning “to the other side.” An excerpt.

There were certainly signs that something momentous was taking place, but initially, I saw each as an isolated incident:

• Beginning a couple of years ago, salespeople in trendy boutiques, who used to swirl around me like bees over a puddle of orange soda, could no longer be bothered. Evidently they saw me as someone who wouldn’t (or plain shouldn’t) buy their skinny jeans, spiky heels or strappy little camis that are ideally worn without a bra.

• Friends arriving in New York City asked me — a lifetime Gotham denizen and supposedly glamorous member of the fashion and lifestyle media — which were the cool places to hang out. I couldn’t think of one that hadn’t been shuttered during the first 90210 era or that wasn’t now a Starbucks.

• I began to have to wear makeup, or at least a decent tinted moisturizer, to get that same “I’m not wearing makeup” look that I used to get by, well, not wearing makeup.

• One time, in a Pilates class, the instructor had us lying on our backs, pressing our shoulders into the mat. She then told us to raise our arms straight up, at a 90-degree angle from the floor, and then reach to the sky, lifting just our shoulders. We all did: The bones of my shoulders followed my arms vertically a full four inches toward the ceiling. But the flesh surrounding my shoulder bones remained splooged out on the mat. My skin and the thin layer of adipose tissue that normally traveled with my bones and muscles had clearly decided that Pilates was for losers.
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• And the real piercing car alarm of a signal — why this didn’t catch my attention I have no idea — came one morning after too much coffee, as I was rocking out in the kitchen to “One Way or Another,” a Blondie song seared into my neuropathways since adolescence. I was horrified when I realized it was the sound track to a Swiffer commercial, blaring from the TV in the other room. I found it especially humiliating that there was a Swiffer, at that very moment, sitting in my broom closet. What’s more, I had recommended it to friends (!!!). I thought about that: I feel strongly enough about a cleaning implement to have recommended it to friends. It didn’t seem like that long ago I wasn’t spending enough time at my apartment to need to clean.

I began to feel vaguely uneasy, but the reason hadn’t yet gelled. Things were going quite well, and my life was more or less exactly as I’d set it up to be: I had lived my lunatic 20s, throwing myself into my career, scaled many magazines’ mastheads and then calmed the eff down and gotten married in my mid-30s. My husband and I had wonderful twin little girls, I had a great job, good friends, and we all were healthy and solvent. There was no crisis. And yet ... something was off.

I just didn’t feel like me.

And then, finally, one day just after my 40th birthday, all became blindingly clear.

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It was early in the morning and I was on the subway, on my way to work. A sexy stubbly man next to me leaned in and asked me for the time. I braced myself for the pickup attempt I felt sure was to follow. “Eight-forty,” I replied tersely, careful not to offer even a hint of encouragement in my tone.

And then ... nothing. Nada. Bubkes. He may have said, “Thanks.” I don’t remember. I do remember that he went back to his book. Apparently, the sexy stubbly guy who asked me for the time simply needed to know the time. He wanted information, not to have sex with me. Imagine! I was shocked. Shocked! And internally embarrassed. Just who the hell did I think I was? Well, I’ll tell you who I thought I was! I thought I was who I had always been: a hot chick, damn it! Big hair, big boobs, big personality, a young woman who (not so terribly long ago) had reason to adopt a slightly defensive posture when men asked her superficially innocent questions on public transportation. (In fact, I met the man who is now my husband on the subway.) I was hardly a supermodel, but hey, even if I wasn’t a particular person’s type, my general appeal was irrefutable. After a few decades of believing this about myself — and usually being reacted to as if it was so — being an attractive young woman simply became part of what I was and how I navigated the world.

But in that instant, an energy-saver bulb reluctantly flickered on over my head, and I got it. Boy, did I ever get it. I was no longer “all that,” perhaps no longer even a little of “that,” whatever “that” is. No wonder things didn’t feel right! I didn’t feel like me anymore because I wasn’t me, at least not the me I had always been.

I’m not talking about one guy’s opinion, of course. In retrospect, all the indications that my head-turner days were receding in the rear view were there (in addition to the aforementioned, fewer men who drink 40s on apartment stoops made vile sucking noises as I walked by; and I was ma’amed on several occasions when I was not in the Deep South). Together, along with all the other signs that had nothing to do with my looks, it made sense. Over the last few years, while I’d been busy working and having twins and not sleeping and getting peed on and eating and yelling at my husband and maybe not taking such good care of myself — and oh, yes, that pesky passage of time thing — I’d become a perfectly nice-looking 40-year-old working mom doing the best she can. Which is totally not the same as a hot chick. That in itself is not a problem. The problem was that my self-definition had yet to catch up with the reality of what the world saw when it looked at me.

Lucky for me, I had my then-4-year-old daughter, Vivian, at home to give my self-definition a good frog-march forward. That very same evening, she snuggled close to me on the chair-and-a-half in her bedroom while I brushed her hair after her bath. Abruptly, she turned to me.

“Mommy, what are those?” she asked, her face just millimeters from mine, so close that her eyes were crossing. She was fixated on my nose.

“What are what, honey?”

“Those. Those round things.” We’d been over this. That Japanese book, The Holes in Your Nose, about nostrils and boogers and which body orifices you might stick your fingers in and which you are firmly discouraged from sticking your fingers in, had long been a favorite in our house. I reminded her that they were my nostrils and that she had them, too.
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“No, not those. Those smaller ones. Some of them have little hairs growing from them.”

Sigh. Vivian, of course, was referring to my pores, which in the last couple of years had been expanding like crop circles on my face. I’d hoped no one had noticed the little hairs. I can only see them in the 153 magnification mirror I masochistically keep in the bathroom.

I felt that familiar wave of ... not shame, not humiliation, exactly — you can hardly be ashamed of your pores in front of your child — but of what I’d imagine a toad would feel if he were cognizant of being dissected: laid bare, with the cool, objective, curious eyes of a scientist seeking data. This same scenario had repeated itself many times in the last year with little variability, except regarding which of my previously unremarked-upon flaws was being scrutinized.

So I did what I did the time her sister, Sasha, pointed out — entirely without judgment — that my belly looked like a tushy on the front of my body, or the time she said that there were bumpy blue worms under the skin of my legs: I chuckled wisely and said something mature about how bodies are fascinating and change as they get older and went and got the 153 magnification mirror and showed Vivian her own (invisible to the naked eye) pores. I then explained the function of pores in cooling the body. Vivian was riveted. I was proud of myself for being such a good mommy, for recognizing and acting on one of those “teachable moments” you read about in the parenting magazines.


Hot Girl

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Indian Women

Indian Women Biography

Source(Google.com.pk)




 A biography/autobiography is a detailed description or account of some
one's life. It is defined as
“written life of a person”. Biography is a relatively full a
ccount of the facts of a person’s life
which attempts to set forth his/her character, temperament a
nd milieu, as well as his experiences
and activities. Autobiography is a form of biography in which th
e subject is also the author; it is
generally written in the first person and covers most or an im
portant phase of the author’s life. It
portrays life in a very aesthetic manner. People in general hav
e a great interest in the lives of
great people as well as others, which are notable in some wa
ys. Biography is one of the most
popular fields of study providing introduction, inspiration and entertainment.
The existing published bibliographies were carefully examined and it was found that
no published
annotated bibliography on women biographies/autobiographies exists. The
only existing
bibliography “Women in India: a Bibliography was prepared by Nehru Mem
orial Museum
Library in 2001. It is against this background the CWDS Library
felt the need to focus on this
important aspect for the users by compiling this volume- “India
n Women: Biographies and
Autobiographies (an Annotated Bibliography).
The present bibliography covers published Biographies/Autobiographie
s of Indian women and
their contributions in the political, social, religious, cultural
, economic and literary fields. There
are women writers, educators, scientists, politicians, civil r
ights crusaders, artists, entertainers,
and others who contributed to our culture in many different ways. Some
were alive hundreds of
years ago and some are living today. We've heard of some of the
m, while many more have been
ignored.
This bibliography contains the references available in the
CWDS Library, as well as from the
different libraries from Delhi. It includes published books in Indi
a and abroad primarily in
English language.
The bibliography consists over 423 entries in alphabetical order. I
t is divided into two parts. Part
one contains the bibliographic details of biographies/autobiographies
of over 159 personalities.
The entries in the bibliography contain bibliographic information in t
he form of author, title,
translator, place of publication, publisher, year of publication and
paginations along with brief
annotation. The location mark at the end of entry is provided in order
to indicate the availability
of the material in a particular library.
Part two contains 37 personalities those have more than one biography
/autobiography. Over 266
entries have been included in this part alphabetically by the name
of personality with the date of
birth and date of death along with the brief annotation.
For easy and quick retrieval of specific information, extensi
ve indexes for Name (Personalities);
Name (Authors, Translators etc); Keywords and Geographical Ar
eas are provided at the end of
each part
.
At the
end of the resource list gives the details of libraries visited
during the course of this work.

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Wednesday, 24 July 2013

Hot Woman Over 40

Hot Woman Over 40 Biography

Source(Google.com.pk)

 Monica Anna Maria Bellucci:
 About: Bellucci was born in Città di Castello, Umbria. Initially pursuing a career as a lawyer, Bellucci decided to start modeling in order to help pay for her tuition while at the University of Perugia, but the glamorous lifestyle tempted Monica away from her law studies.

She speaks Italian, French, and English fluently and has acted in each of these languages, as well as Aramaic.

Bellucci's film career began in the early 1990s. In 1992 she made her first appearance in a major English-language film as one of Dracula's brides in Bram Stoker's Dracula. She became popular with English-speaking audiences following her lead role in the acclaimed Italian film Malèna, though she was perhaps best known for her role as Persephone in The Matrix Reloaded and The Matrix Revolutions followed by her portrayal of Mary Magdelene in The Passion of the Christ.

After her work in The Passion of the Christ, Bellucci was assumed by many fans to be Roman Catholic. However in a documentary about the film, The Big Question, she stated: "I am an Agnostic, even though I respect and am interested in all religions. If there's something I believe in, it's a mysterious energy; the one that fills the oceans during tides, the one that unites nature and beings."

In 2005, Belucci starred in The Brothers Grimm as a beautiful evil queen.

Her latest film is The Stone Council, directed by the Frenchman Guillaume Nicloux.

Modelling career

In 1988, Bellucci moved to one of Europe's fashion centers — Milan, where she signed with Elite Model Management. By 1989, she was becoming prominent as a fashion model in Paris and across the Atlantic, in New York City. She posed for Dolce & Gabbana and French ELLE, among others. In that year, Bellucci made the transition to acting and began taking acting classes. Bellucci has posed nude in GQ, Maxim, Vanity Fair and InStyle magazines.

Personal life

She is married to fellow actor Vincent Cassel, with whom she has appeared in several films and had a daughter, named Deva. In 2004, while pregnant with her daughter, Bellucci posed nude for the Italian Vanity Fair Magazine in protest against Italian laws that allow only married couples to use in-vitro fertilization and that prevent the use of donor sperm.

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Beautiful Girls

Beautiful Girls Biography

Source(Google.com.pk)
 The Beautiful Girls Biography

The Beautiful Girls

'06 -'07 the band ::
mat mchugh :: guitar::vocals
bruce braybrooke :: drums::percussion::vocals
paulie b :: bass::vocals

The release of We're Already Gone and Water (a compilation), in the U.S. saw the beautiful girls morph and trim their touring party slightly. In a "back to their roots" move the band, who have worked with a series of different instrumentalists (including harmonica players, a brass section and keyboardists), toured the U.S. as a three piece. They added a keyboard player for their home tours.
The 'We're Already Gone album has enjoyed international success and raised the profile of the band considerably in the U.S. - and the response to this album there, both by the crowds and the press has been fantastic. Because of it the band have featured in ex games dvd's (through Canada and the U.S.), full page articles and the albums (both WAG and Water), continue to sell well.

On their second attempt to get into the U.S. this year the band though, the band were stopped at the border and not allowed in. The subsequent ban will see them out of the US for a year - the band anticipate being able to re-enter the country in the summer of '07. The band accepted the ban though, and made the most of the time without touring commitments by coming back to aust and recording the next album.

This album, titled ziggurats, further adds to the beautiful girls reputation as musical shape shifters.
It is, perhaps fuelled by the border crossing controversy, a tighter and punchier sound album.
Taking the some of the elements of white reggae that the band flirted with on We're Already Gone and combining them with an energy rush that moves away from roots and into a post punk style, nodding to influences from the clash and dexy's midnight runners thru to the police.
The band emphasis evident on the last album is also prevalent in the new songs, although the rhythm section is sharper again than on that recording. And once again there are a series of collaborations. This time featuring keys, a brass section, a some stunning melodica.
Even though it has a mix of songs and styles (including a South African cover from the eighties), ziggurats is likely to be considered the bands first straight ahead album - the intensity of the performances giving it the bands strongest sense of purpose yet.

('06) ::
In '06 the beautiful girls have once again circled the globe, taking their music to as many people as possible, selling out shows in the Netherlands, the U.K Canada and the U.S.
Their mid year trip across Europe (in july and august of this year) served to promote and support the release of We're Already Gone in Germany, the Netherlands and the U.K. The band also toured thru Canada and the U.S (their seventh tour of the U.S. touring partners have included; Mason Jennings, Pepper -twice- Slightly Stoopid and Fishbone).
In the U.S. both We're Already Gone and Water - a compilation featuring tracks from Morning Sun, good times (now no longer in production) and learn yourself - were released on cornerstone ras (home to sublime and slightly stoopid releases).

('07) ::
the band released its new album, titled ziggurats, in may of '07.
Ziggurats will be released in Australia and Japan simultaneously and soon after in the U.K., the US, South Africa and Europe.
There will be a world tour to support the release of the album, with the band already picking up festival dates in Japan in may.

releases ::
in '02 the band released Morning Sun, their mini-album. Periscopes was added to Triple J, the Australian national radio station. This and most of the other songs from Morning Sun, were added to a host of surf vids and dvd's by surf filmmakers in Australia. The band began the touring. At this stage it was Australia wide but a pattern was set.
good times - '03 - was released as a five track limited edition cd. Stock sold out in weeks and the art work and some of the songs appear on TBG's Brazilian (The Beautiful Girls), and Japanese (Water), releases.
Learn Yourself, '04, is a neat combination of roots, hip-hop, reggae, soul and blues. A mess of influences that formed celebration of life. That album (Learn Yourself), was the Beautiful Girls North American debut and on the back of it TBG went to the U.S.
We're Already Gone '05, expands expectation:: in instrumentation, performance and songcraft. This album has a strong band emphasis and includes a stack of extra coloring.

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Hot Korean Woman

Hot Korean Woman Biography

Source(Google.com.pk)





 SNDS Girls Generation - Most popular Korean girl band
Posted by bonky sla at 21:35

SNSD stands for So Nyeo Shi Dae, or so called Girl's Generation. SNSD is a Korean singer group consisting of 9 women. Girlband SNSD is one gilrband are currently very popular in Korea, even in the world. In the virtual world alone music video was viewed more than 40 million people. Member of SNSD was a young girl with age between 18-23 years who have talents and abilities and is supported by an attractive face.




Kim Taeyeon Taeyeon called (Leader / moderator)

Born on March 9, 1989 (aged 23 years). Later, he was in training in BC for 5 years and 3 months. and running debut in 2004 she was featured in the song The One titled "You Bring Me Joy" before embarking on his debut as a leader of Girls' Generation's because he is the oldest member of Girls Generation.


Jessica Jung called Jessica's [one of the lead singer / vocal best in SNSD]


Born April 18, 1989. (Age 23 years) he is a singer, dancer and musical theater actress / television-born United States. her sister Krystal Jung named one of the Member GirlBand f (x). [read Efex].

He auditioned at the SM Entertainment Casting System and joined the company in 2000. Jessica is one of the lead singer in Girls' Generation who made ​​his debut on August 5, 2007. Jessica had the longest training period, ie 7 years 6 months.


Lee Soon-Kyoo called Sunny was born on May 15, 1989 she was a singer, radio DJ, and host of music from South Korea. . Sunny was the last member is inserted in SNSD. Previously sunny've had training in another agency for 5 years. Because it's only 3-month training period.

Stephanie Hwang called Tiffany was born on August 1, 1989 (age 23) is a singer and dancer bloody Korean-Americans from the South Korean girl group, Girls' Generation. debut in 2007. Found in Starllight SM Casting System 2004 in LA and going through training for 3 years and 7 months.


Kim Hyo-yeon called pd Hyoyeon born September 22, 1989. age 23 years is a singer from South Korea. He is a member of Girls' Generation. he is the Leader in SNSD Dance. that is, he's his best dance of the Member Else.


Kwon Yuri called Yuri was born on December 5, 1989 aged 23 years. is a singer, songwriter, actress, model, and dancers from South Korea. He is a member of vocal group Girls' Generation of South Korea. Yuri was born in Goyang, South Korea on December 5, 1989. She auditioned in SMCasting System and joined the company in 2001 after winning a second championship SM Youth Best Dancer Contest in 2001. He is also a dance leader of Girls' Generation.



Sooyoung Choi was born February 10, 1990. (Age 22 years) was the god makan.Ia can eat 3 ice cream cone in 5 minutes. His debut in Japan as a duo personnel 0 route with Marina Takahashi in 2002. Experience training for 7 years and 3 months. Sooyoung also very close to his fans. Weight also increased even though he never ate as much as possible.


Im Yoona date of birth May 30, 1990. age 22, also known as Yoona started his career not as a singer. Found at BC Saturday Open Casting auditions in 2002. Experience training for 7 years 2 months. Yoona has the most acting experience compared to other members, namely by starring in the series 9 ends 2 outs, Woman of Matchless Beauty, You Are My Destiny and Cinderella Man.

Seo Joo-Hyun was born in Seoul, June 28, 1991, age 21 years as Seo Joo-Hyun is the youngest of Girls Generation personnel. Found in SM Casting System 2003. starred on We Got Married with Jung Hwa Yong. He had an important role in Girls Generation.Seohyun very clever dance. He always joined Dance Battle. In fact, he's also very smart to play the piano. Seohyun is the youngest multitalented personnel in the Girls' Generation.


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Hot Korean Woman